大家好，这里是湖北理工学院外国语学院英语调频广播台，我是主播王紫秋。今年是毛泽东同志《在延安文艺座谈会上的讲话》发表80周年，也是习近平总书记《在文艺工作座谈会上的讲话》发表近8年。这两个《讲话》一脉相承，核心思想都强调文艺创作要以人民为中心。北京画院专业画家、国家一级美术师、中国美术家协会会员南海岩，一直坚持以人民为中心的创作导向，多此深入藏区，创作出一大批描绘西藏风情的艺术作品。文艺创作如何做到以人民为中心?中国人物画在当下的环境中，如何兼顾传承与创新?通过本次采访，让我们了解一下中国人物画的创作吧。
首先让我们先来了解一下这篇文章里出现的一些重点词汇。
revisit[ˌriːˈvɪzɪt]vt.再访;重游;重提;再次讨论
unpretentious[ˌʌnprɪˈtenʃəs]adj.朴实无华的;谦虚谨慎的;不事张扬的;
compatriot[kəmˈpætriət]n.同胞;同国人
integration[ˌɪntɪˈɡreɪʃn]n.结合;整合;融合
grassroots[ˈgrɑːsruːts]n.基础的；草根的
foreshadowing[fɔːˈʃædəʊɪŋ]v.预示;是…的预兆
An interview with Hai Yan
中国人物画名家南海岩的创作分享
Hello!Teacher Haiyan!Looking back at history and revisiting the spirit,what new experience do you have of the idea that literary and artistic creation should becentered on the people? How did you explore the simple and unpretentious beauty of Tibetan compatriots in your portrait-style works of Tibetan people in the snowy plateau, showing the simple and unpretentious beauty of Tibetan compatriots? Some people say that your works represent the integration and innovation of East and West, tradition and modernity, art and life, what do you think of the significance of innovation in Chinese object painting? You express the subtle emotions of the characters in an easy and natural way, can you share your drawing skills with enthusiasts?
海岩老师,您好！回顾历史、重温精神，您对文艺创作要以人民为中心的思想有哪些新的体会？您这些表现雪域高原藏民的肖像式作品，以浓墨重彩的写实主义风格，展现了藏族同胞质朴无华之美。您是如何探索出这种彩墨写实人物画风格的？有人评价您的作品代表着东方与西方、传统与现代、艺术与生活的融合与创新，您怎么看待中国人物画创新的意义？您用一种平易自然的方式将细微的人物情感表现得淋漓尽致，能跟爱好者们分享一下您的绘画技巧吗？
It has been nearly 80 years since the Symposium on Literature and Art, and the concept that art serves the people, serves the masses, and goes to the grassroots level and society. Since I am a painter who paints characters, my grasp of the emotions of the characters includes the shaping of the image, as well as the promotion or shaping of the spiritual level of the characters, which cannot be built behind closed doors at home, and must go down, to the grassroots, to the minds of the people, and slowly feel the real life, the joys and sorrows of the people, this kind of care for society and the entire situation.
文艺座谈会已经将近八十年了，艺术为人民服务，为大众服务，走向基层，走向社会，这个观念一直是往前走的。由于我是画人物的画家，所以对人物的情感的把握包括形象的塑造，还有对人物的精神层面的提升或者塑造都比较用心，这个用心在家里闭门造车是造不出来的，必须得往下走，往基层走，往人民的心目中去，慢慢的去感受现实生活，人民的这种喜怒哀乐，这种对社会、对整个形势的一种关怀。
The first impression is the most important, and how to draw the first impression is sometimes quite distressing. Just painting upright, painting backwards, tossing back and forth. This is a long process, and the beginning of this process is to pay attention to the use of pen, ink, and line in Chinese painting. Then slowly it was a feeling, waiting for five or six years to start to slowly smooth. It is logical to use the pen and ink and the color, so that you can slowly draw your feelings.It can be said that before we see a final work, we actually go through the foreshadowing of countless works.
第一印象是最重要的，怎么把第一印象画出来，有时候挺苦恼的。就正着画，反着画，来回的折腾。这是一个漫长的过程，这个过程一开始就是注重中国画的用笔、用墨、用线再怎么去表现。然后慢慢的就是一种感觉了，等着走了五六年以后才开始慢慢顺的。用笔用墨用颜色都顺理成章了，才能慢慢的画出自己的感觉了。可以说我们看到了一幅最终的作品之前，其实是经历了无数作品的铺垫的。
In fact, the innovative significance of Chinese painting, this has to be said from history, the understanding of traditional things should not be limited to literati painting, but should be slowly experienced and understood from the entire big art and the entire long river of history. Step by step, it is a repeated, spiraling forward and rising development trend.
其实中国画的创新意义，这个得从历史上来讲，对传统东西的认识不要光局限在文人画这一块，要从整个的大的美术，整个的历史长河中去慢慢体会，去感悟。一步步的往下走，它是一个反复的、螺旋式的前进上升的发展势态。
There is no shortcut to painting, the key is the most true heart, the expression of mood is the most important, the expression is a mood.
绘画没有捷径，关键是内心最真实的，心情的表达是最重要的，表现的是一种心情。
今天的节目到这里就结束了，想要获取音频回放以及更多完整版稿件，请到湖北理工学院外国语学院英语语言学习示范中心自行了解http://sfl.hbpu.edu.cn/sfzx/cxxm/dpgb.htm，我是主播王紫秋，我们下期再见。
